The ending of âthe platformâ explainedOn 25.10.2020 by Necage
With the nation put on lockdown, more and more of us are turning to Netflix to keep us entertained — and nail-biting thriller The Platform has gained a lot of attention online. The film, which was picked up by Netflix following its debut at the Toronto Film Festival, is set in a dystopian, futuristic prison known as The Hole, where the cells are stacked on top of one another. In what viewers have interpreted as a metaphor of capitalism and the class system, the story sees a banquet of food descend from above on a platform, leaving the upper-tier of prisoners to eat first, while those lower and lower down the literal food chain left fighting for scraps.
With the heavily metaphorical ending leaving some viewers scratching their heads, we unpack what message filmmaker Galder Gaztelu-Urrutia intended the audience to leave with.
We come to understand the rules of The Hole through Goreng Ivan Massague a newcomer to the prison, who is stuck in cell 48 with Trimagasi Zorion Eguileor. The desperation of those further down the prison chain is clear as they resort to violence and even murder to try and get more food.
As the film progresses, viewers come to see a young girl who is trapped at the very bottom of The Hole. As both the girl and Goreng attempt to get to the top of the prison, Goreng finds himself unable to as he has been too brutalised by the system, which sees him stuck in the same place.
However, the girl makes her way to safety. The irony within The Platform is that there is more than enough food and resources within The Hole a metaphor for capitalism, a economic system we are all imprisoned by to satisfy all the prisoners.
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Laura Weir. Tottenham Hotspur. Crystal Palace. West Ham. Transfer News.At first glance, the film appears to be a story of individual greed and the struggle to survive, but as the movie reaches its haunting conclusion, it becomes clear that there's something deeper going on.
At the top, a team of chefs prepare a lavish feast big enough to feed everyone in the hundreds of cells below, and each day, the titular platform containing the food is lowered. The platform stops at each cell for two minutes, and the two prisoners in that cell can eat as much or as little as they want. Of course, those at the top get their fill, while those at the bottom are left with nothing and end up starving. The catch is that the prisoners are assigned a new cell each month, rearranging the pecking order in relation to the platform.
Let's run through the symbolism of the movie and what message the filmmakers wanted us to take away from the final moments. Be warned: spoilers are ahead. We get bits of details about what the purpose of the prison is throughout, but it's not until Goreng meets Imoguiri Antonia San Juanwho worked for the prison herself before becoming an inmate, that we get a more concrete idea. She explains that in order for the food to reach all the way down to the lowest levels there needs to be a "spontaneous sense of solidarity" — meaning everyone, without communicating to one another, only takes as much as they need.
She seems to imply that the whole purpose of the prison is to create a system in which people can learn to foster this spontaneous sense of solidarity. However, Goreng proposes a more sinister interpretation: "If that solidarity emerged, they'd know to prevent it happening on the outside. It's a tool for the rulers, not society as a whole. Most of the main characters we meet in The Platform represent archetypes or ideas larger than themselves. For instance, Goreng, who volunteers to enter the pit in order to obtain a college diploma, represents an idealist intellectual.
At the beginning of the film, he shames the greed of those who take more than their share when they have the opportunity, but doesn't understand why they do it, as he has yet to spend a month at the bottom of the pit.
Similarly, Imoguiri represents the willfully ignorant bureaucrats upon which a system like the VSC rely in order to function. When Imoguiri enters the pit, it's revealed that she's mostly in the dark as to what actually happens in there. Like Goreng, she attempts to convince the prisoners below her to ration their food, but they don't listen to her pleas. Miharu is disdained by the fellow prisoners and is often attacked.
Even Imoguiri derides her struggle, claiming that her search for her child is a lie because nobody under 16 is allowed in the pit. Miharu represents those who suffer on the periphery of society, whose stories we don't want to believe because they sound so cruel that we can't imagine that we live in the same system — for instance, people experiencing homelessness or other forms of extreme poverty.
At the end of the filmwe learn that Miharu's child is real, and has been living at the very bottom of the pit. Goreng arrives there after riding the platform down with a weapon, enforcing the rationing of the food by beating and killing anyone who tries to take more than their share. His plan is to return back to the top level with an uneaten dessert, a symbol that the prisoners have learned how to work together to survive in such a way. However, after finding the child, Goreng realizes that that isn't the message he needs to send.
Although they've assured everyone they would never do something as cruel as allow a child into such a horrendous existence, that was a lie. Instead of proving to them that the prisoners can adapt to the system, he wants to show them that the system itself is unspeakably and unfathomably cruel, and those operating it cannot be trusted.
While digging into the meaning of a film's ending on one's own is worthwhile to unravel what went down, nothing quite compares to hearing what the movie's director has to say about it all.
He continued, "In the end, the problem arises when you try to demand everyone's collaboration, and you see that there is no big achievement by the end. Goreng does what he set out to do in bringing the panna cotta and the child down to the lowest level, but he didn't change anyone's mind about sharing the food [ Goreng is dead before he arrives, and that's just his interpretation of what he felt he had to do. All rights reserved. The ending of The Platform explained. What exactly is the purpose of the prison in The Platform?
What do each of the characters in The Platform represent? The meaning behind the the ending of The Platform Netflix. The Platform director Galder Gaztelu-Urrutia explains the film's ending.The Platform Spanish : El hoyotransl. Its residents, who are switched every 30 days between its many floors, are fed via a platform which, initially filled with food at the top floor, gradually descends through the tower's levels, each level getting only the leftovers from the previous ones.
It is a system bound to cause conflict, as the residents at the top levels can eat as much as they can, in an allotted time, leaving increasingly little for those below.
The Platform ending explained: Netflix thriller could not be more timely
Goreng wakes in a concrete cell marked with the number His cellmate Trimagasi, explains that they are in a "Vertical Self-Management Center", a tower-style facility in which food is delivered via a platform that travels from the top, stopping for a fixed period on each floor. Those on lower levels can eat only what those above leave them, and the cell is heated or cooled to fatal temperatures if food is hoarded.
People are randomly reassigned to a new level every month. Each resident is allowed to bring one item in with them, Goreng choosing a copy of Don Quixoteand Trimagasi a self-sharpening knife.
One day, a bloodied woman named Miharu rides down on the platform. Trimagasi explains that she descends the pit every month in search of her child. As they talk, it is revealed that Goreng volunteered to spend six months in the facility in exchange for a diploma, and Trimagasi is serving a year-long sentence for manslaughter. Over the first month, they become friends, but on the day of the room shuffle, Goreng wakes up tied to the bed.
They have been reassigned to levelwhere the platform is expected to be empty of food when it arrives. Trimagasi explains that he plans to cut strips of Goreng's flesh to sustain them both. On the eighth day, Trimagasi cuts into Goreng's leg but is attacked by Miharu as she comes down the platform. She frees Goreng and he kills Trimagasi.
Miharu cuts some of Trimagasi's flesh, feeding Goreng and eating some herself before continuing down. In the third month, Goreng awakes on level 33 with a woman, Imoguiri, and her dog. Goreng recognizes her as the Administration official who interviewed him before sending him to the cells.
She says, she was unaware of the horrible conditions and volunteered to try to fix things when she was diagnosed with terminal cancer. Imoguiri rations her food and attempts to convince those below to do so as well, but they ignore her. Goreng mentions Miharu's search for her child to Imoguiri, but Imoguiri says that children under 16 are not allowed into the facility and Miharu entered alone.
Goreng awakens the following month on level and finds that Imoguiri has hanged herself. Goreng eats her flesh to survive, experiencing hallucinations of her and Trimagasi instructing him to do so.
At the start of the fifth month, Goreng is assigned to level 6. His new cellmate, Baharat, attempts unsuccessfully to climb to the upper level. Estimating that there are levels, Goreng convinces Baharat to ride the platform down with him, rationing the food so all get a share. As they descend, they hand out portions to the prisoners, attacking those who refuse to cooperate.
The ending of The Platform explained
On the way, they encounter Miharu fighting two other inmates and try to save her, but she is killed and they are severely injured. Goreng and Baharat continue to descend, eventually reaching level where the platform stops. Goreng notices a child hiding under the bed.
He gets off the platform, followed hesitantly by Baharat, only to have the platform continue downward, leaving them behind.
The child is a girl, Miharu's daughter.If this is your first time registering, please check your inbox for more information about the benefits of your Forbes account and what you can do next! The central metaphor of The Platform mirrors the capitalistic conundrum in which the modern world has entangled itself, but the ending of the film is open to interpretation.
Through its metaphor, the film argues that there is more than enough money, food and resources to go around, but overconsumption inevitably leads to inequality, and the wealthy are not inclined or incentivized to share.
The problem is the structure of power, as those at the top are unreachable; one of the most powerful moments of the film is when Baharat finds himself at level 6, and using his rope, hopes to ascend to the top of the nightmarish tower. But this plan relies on the kindness of strangers, and thus, is instantly shattered by the hateful racists dwelling above - all it takes is one intolerant individual to break the chain of cooperation.
Help from above cannot be relied upon, meaning the only power Goreng holds is tyrannical. He can force the prisoners dwelling below him to cooperate, sure, but then what? Threats are just another form of oppression, and can only take Goreng so far. At least, not fully. But their descent to the bottom is marred by extreme violence; paradoxically, the pair cannot possibly protect the panna cotta without viciously fighting off the prisoners who refuse to cooperate.
To some degree, the two embrace the dog-eat-dog attitude that runs through the prison, becoming tainted by their sacred mission. Not officially, anyway. But the fact that she is alive and unharmed surely means that her mother, Miharu, has been successfully protecting her.
Indeed, the little girl appears healthy, even untraumatized. She represents the human spirit, unbroken, despite the overwhelming, dehumanizing influence of the system.
On a literal level, her ascent is unlikely to change anything. But metaphorically speaking, the girl is the future, and likely the only hope humanity has left. Adults, like Goreng, have been living in the system for too long, and have been shaped by its injustices; they can fight for a better future, but have been hopelessly corrupted in the process.
Let me know on Twitter. I'm fascinated by all forms of storytelling; movies, mythology, fairy tales, television, and urban legends. Please help us continue to provide you with free, quality journalism by turning off your ad blocker on our site. Thank you for signing in. I agree to receive occasional updates and announcements about Forbes products and services.
You may opt out at any time. I'd like to receive the Forbes Daily Dozen newsletter to get the top 12 headlines every morning. Forbes takes privacy seriously and is committed to transparency. We will never share your email address with third parties without your permission. This is a BETA experience. Edit Story.Imagine spending years painstakingly building and calibrating a superlative car. Then you gift the keys to someone else and tell them they are free to drive off into the sunset — or crash the car into a wall.
Until the very end of his run. That included power over life-and-death decisions about the characters. In a Zoom interview, Audiard gleefully ran with the automotive analogy. Others called it a two-part masterpiece. I found that invigorating. Le Figaro has called it the best series ever made in France. Berger said a sixth season, which he described as being more like a sequel, is in the works. Weariness aside, Rochant felt that he had reached a mythical television target.
But by Season 4, Rochant seemed ready to test the idea of passing the baton. In choosing Audiard to close Season 5, Rochant picked a director with a proven record for putting a thoughtful, melancholy spin on the thriller genre.
Rochant drew a sharper distinction. For the actors, that often meant trying not to noticeably act. OK, cool. You are the one placing this tension in my eyes.
Me, I was just gazing into the distance. Whatever its source, that intensity drives the series. Suspense simmers just as much in conference rooms as in the field. Across five seasons, Rochant made a habit of confounding expectations.
Just when you expected a mission to go horribly wrong, it ended well — or vice versa. Beloved characters were abruptly killed off. Double-crosses abounded. That left a stylistic opening to Audiard, and he went for it. His two episodes, written with his longtime collaborator Thomas Bidegain, split opinions in France.Ride down The Platform with us as we break down the Netflix film's ending.
By Daniel Furn.
In the midst of nationwide lockdown and an increased reliance on home entertainment, Spanish horror-thriller The Platform has become an unlikely — and timely — hit for Netflix as shown by their new Top 10 system.
The eerily relevant film follows Goreng, an inmate in a dystopian vertical prison where food is lowered from the top. In theory, there is enough food for all — provided inmates only take their fair share. It is suggested that much like the real world, there is more than enough food to go around The Hole — but as long as those at the top financially, or in this case physically overconsume and are given no incentive to share, this will lead to inequality and suffering.
The Platform switches up your traditional social allegory however, as prisoners change levels randomly every month — and become just as greedy and self-consumed when they have a higher status.
At one point in the film, Goreng manages to make the floors below him ration by threatening to contaminate their food — but he is powerless to affect change to those above him and make the people at the top care. It takes prisoners working together and sharing resources to show that there is a better way where everyone would be fed — or they will be imprisoned by far more than their cells. Goreng and new cellmate Baharat decide to ride down the platform armed with makeshift weapons, distributing food evenly and forcing prisoners to ration.
That is until they meet a wise old man, who suggests that they need a symbol for their movement — one which will send a message to those running The Hole. As such they decide to preserve a luxury desert — a panna cotta — which will go all the way down The Hole and back to Level 0 untouched. As Goreng states, the girl is indeed the message, and a more powerful one than the panna cotta — a message of human resilience in the darkest of times, of the hope for the next generation and the spontaneous solidarity that Imoguiri dreamed of.
In the closing minutes of the film, Goreng is seen talking to Trimagasi — though Trimagasi is, of course, dead, murdered by Goreng earlier in the film. In an imaginary but significant conversation, Trimagasi tells Goreng that the message needs no bearer, and most importantly that his journey is over.
Wondering what else to watch? The Platform ending explained: Is Goreng dead? Friday, 27th March at pm. There is enough food to go around The Hole. Goreng and Baharat take the panna cotta as a message. The Platform, Netflix. Related news. New on Netflix March — TV, film and originals release dates. All about The Platform. Find the newsletter for you. You might like. Will there be a Messiah season 2 on Netflix?Warning: This article contains The Platform spoilers.
If you want to watch a deeply, deeply disturbing movie about isolation, starvation, and the scarcity of food in the middle of a real-life pandemic that has people panic-shopping at the grocery store, then, by all means, check out The Platforma new Spanish movie that released on Netflix today.
Called El Hoyo in Spanish, this science fiction thriller come from director Galder Gaztelu-Urrutia, and originally premiered at Toronto Film Festival in before being acquired by Netflix for worldwide distribution. There is blood, there is gore, there is cannibalism, there is feces… Basically, anything you might think would be hard to view with your eyeballs is in this movie.Parasite: Perfecting Class Critique – Wisecrack Edition
It pauses for just a few seconds, and the prisoners must eat as much as they possibly can while its there. By the time the platform reaches Goreng and Trimagasi level, 48, the food has already been picked over—everything has bites out of it, and only scraps remain.
The floors beneath them lower in space, and higher in number get nothing. Each prisoner gets to bring one object with them, and Goreng brought a book: Don Quixote by Miguel de Cervantes. Trimagasi brought a knife. Every month, the prisoners are gassed and brought to a new level. The first time this happens, Goreng wakes up tied down on level Earlier, on level 48, Goreng stood up for Miharu when men were attacking her.
Miharu cuts Goreng free, Goreng murders Trimagasi, and survives the month by eating his rotting flesh.
The next month, Goreng wakes up on level 33 with a new roommate named Imoguiri Antonia San Juanwho has brought her dog as her one object. Imoguiri is an official of some sort, who initially screened Goreng to join the prison.
Every day, she pleads with prisoners below on level 34 to only eat their allotted ration and to pass along the message to level They refuse to listen—until Goreng threatens to shit in their food, and they obey. The next month, Goreng wakes up on the worst level yet: Imoguiri hangs herself, Goreng eats her body, and the month passes in a fever dream.
But the prisoners on level 5 refuse to help and instead defecate on his face. Goreng convinces Baharat to help him with a plan to ride down on the platform and distribute the food fairly by forcing the prisoners to ration. He and Baharat make makeshift weapons out of their bedframes and ride down on the platform. They decide not to give rations to the first 50 levels, who have already been eating well. Goreng and Baharat violently threaten people away from the food, until Baharat runs into a wise old man who tells him he must first trying being polite before resorting to violence.
He also tells them that they need a symbol for their movement—something to send a message. He tells them they need to send a luxury dish that gets back Level 0 untouched.
That dish is the panna cotta, an Italian dessert, which they must preserve at all costs. They resolve to try and continue to descend. Goreng initially estimated there were about levels in the prison, a number he came to by counting the number of seconds it took for the platform to come back up while he was on level That means there are more levels than Goreng anticipated.
The platform finally stops for good at Levelthe last level, where there is a child hiding under the bed.
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